|
Unique Strands, Circular Functions, and Portofino
x
for 14 players
First Performance: 17 December 2000, by the Contemporary Arts
Ensemble/London,
Conducted by Zsolt Nagy; Institute of Contemporary Arts, London
|
2000
16 |
|
New extended version (with piano replacing the harp) premiered
in Japan by
Ensemble
Contemporary, Tokyo on 11 December 2001, Keyaki Hall, Tokyo
|
2001
21 |
|
'The Land Of the Three Fires'
x
for bass clarinet, trombone, sound projectionist and tape
Commissioned by the York Contemporary Arts Festival
First Performance: 16 June 1999, York Contemporary Arts Festival
at York arts Centre
Contemporary arts Ensemble/London directed by S. Savaskan
|
1999
35 |
|
Symphony No. 3 La Rosa Florece and the English Cadence
x
SEM SO, New York commission
First performance: 21 June 1998, New York by the SEM Orchestra
/ Petr Kotik
|
1998
24 |
|
Symphony No. 2 The Age of Analysis1979
x
BBC SO commission
First performance: 12.XII.1997 by the BBC Symphony Orchestra
/ Martyn Brabbins
First broadcast on BBC Radio 3 on 13 February 1998.
|
1997
24' |
| Three
Dances
x
For small orchestra
Three dance interludes from the work-in-progress opera "Venom".
First performance: 26 October 199, RNCM Orchestra, Malcolm Layfield.
|
1996
16' |
| Anthems
for the Sun III, Op.28
x
For violin and piano
First performance: 14 March 1995 BMIC, London, during the 50th
Anniversary Celebrations of the Composers' Guild of Great Britain
Cambridge New Music Players: Thomas Kemp -pf, Richard Casey
-vln
|
1994
13' |
| 0
Vos omnes Op.27
x
For tape and electric guitar: -
Commissioned by Tim Brady with funds provided by the Arts Council
of Great Britain.
First performance: November 1992, ICA, London
Tim Brady - e.gtr and electronics
|
1992
13' |
| Anthems
for the Sun II
x
Organ (assistant optional)
First performance: December 1990,
Westminster Abbey, London
Martin Ball
|
1990
9' |
| Collected
Fantasies
x
Five pieces for piano solo (with optional baritone part)
First performance: June 1989, BMIC, London
David Mason - pf and Justin Josephs - bt
|
1989
12' |
| Panic
in Needle Park
x
String Qunrtet No.3 Op.23
For amplified string quartet, tape and sound projectionist
Commissioned by Balanescu Quartet with financial assistance
from Greater London Arts
First performance: March 1988, Donmar Theatre, London
Balanescu Quartet
|
1988
18' |
| 1969/speed
x
String
Quintet Op.20, The Observer' modules 135 and 59'
String quartet and c.b.
|
1986
12' |
| Tango:
The Square Root Impressions with Tears
x
Piano
solo
First performance: June 1985, Almeida Festival, London
Yvar Mikashoff
|
1985
2'30" |
| Trio
No.2 in G Op.l8
Mama and Jimmy Yancey: The Last Recording Date
x
Vla,vc,c.b.
Commissioned by Trio Basso/Cologne for British/German Contemporary
Music Festival, West German Radio
First performance: September 1984,
Comedia Colonia, Cologne, West Germany
Trio Basso/Cologne
New version (1993), first performed and broadcast by Sydney
Alpha Ensemble, ABC Centre, Sydney, Australia, June1993
|
1984
17' 30" |
| The
Street
x
Quartet for saxophones
Winning work in DIO Fund/ACGB Award 1985
Commissioned by the Institute of Contemporary Arts, London for
John Harle/Myrha Saxophone Quartet
First performance: August 1983, ICA, London
John Harle/Myra Saxophone Quartet
|
1983
15' |
| String
Study No.3
x
Tape
composition
Commissioned and choreographed by Sarah Carter Dance Group
First performance: October 1982, Performance Studio, Midlands
Group, Nottingham
|
1982
12' |
| Renga
x
For
live electro-acoustic trio, tape and sound diffusion
First performance: 6PNM/Alive and Composing' event,
Guildhall School of Music, Barbican Centre, 4 October 1981
Savaskan/Flitcroft Ensemble
|
1981
17'-22' |
| Symphony
No.1 'The cortege that passed through the streets of Munich
so often assembles again tonight.'
x
Chamber
ensemble (14 players)
First performance: May 1981, University of Surrey Concert Hall
University of Surrey Chamber Ensemble/S.Savaskan
|
1981
18' |
| 'P.S.
Anthedonia endlessly...'
x
Fl/picc/bs.(or
a.)fl, cl/b.cl, vln, vc, marimba
Gemini Ensemble Commission
First performance: 22 February 1981, ICA, London
Gemini Ensemble/Peter Wiegold
|
1981
12' |
| Time
Transfixed (III)
x
For
musician (amplified instruments and cassette-tape loops) and
solo dancer
First performance: 16-17 January 1981,
'Movement and Music '8T festival, LMC, London
Alexandra Graham - dancer and S. Savaskan
|
1981
14' |
| Time
Transfixed (II)
x
For
improvising musicians
First performance: 3 October 1980,
London Musicians Collective Performance Space
Hugh Davies - live electronics, invented instntments, Ron Heglin
- tb and voice, S. Savaskan - flutes, strings and cassette recorder
|
1980
20' |
| 'What
is Performance?'
x
For
amplified c.b., oriental flutes, perc, tape and dancers
First performance: August 1980, London Musicians Collective
Performance Space
Savaskan/Flitcroft Ensemble
|
1980
16' |
| Partage
de Midi
x
Version
1
Version 2
A.fl, bs.cl, accordion, marimba and additional flexible instrumentation
Paraphrases on the music from Partage de Midi, a video
project by Sharon Smullen
First public performance (v.1): July 1980, Trent Park, Middlesex
University
|
1980
48'
15' |
| Many
stares through semi-nocturnal Zeiss-Blink,
x
'The
Observer' modules 60, 180, 210 and 340* Fl/picc/a.fl, cl/b.cl,
perc, vln, vc, and c.b. Commissioned by MusICA for the Lontano
Ensemble First performance: 27 January 1980, ICA, London Lontano
Ensemble conducted by Odaline de la Martinez
|
1980
14' |
| Suite
from Past and Future Now
x
Theatre orchestra and mixed chorus
Based on the ballet music and the songs from the multi-media
show on the life and work of
Rudolf Laban by David Henshaw
Text: Excerpts from Labans writings
First performance: 10-17 March 1979, Greenwood Theatre, London;
conductor: S.Savaskan
|
1979
30 |
| Pas
de Deux
x
Flute solo (with optional electronics)
First performance of the revised version: September 1980,
London Musicians Collective Performance Space
S. Savaskan, flute, with Yolande Snaith, dancer/choreographer
|
1979
10 |
| Intercontinental
Communication Disaster 1877
x
For three players
simultaneously performing in three separate locations;
flexible instrumentation
An occasional piece to commemorate the centenary of the
first public telephone service
Recorded on London Musicians Collective Records (LP No.
LMC2, Mayday-1980)
|
1978
11 |
| Green
Plastic Vase
Purple Plastic Vase
Public Transport
Dedicated to Morton Feldman
x
Three
occasional pieces for flexible instrumentation/duration (three
or more players); proportional notation, much interpretitive
flexibility.
First performance 15 December 1978, LMC, London
Society of New Musics Consort |
1977
6'-15' |
